Note: This page is horribly out of
date.
You can find the current pages for the dm-crypt
project (the Linux kernel part) here:
https://gitlab.com/cryptsetup/cryptsetup/wikis/DMCrypt
and the project page for the command line tool
cryptsetup (with Linux Unified Key
Setup - LUKS) here: https://gitlab.com/cryptsetup/cryptsetup.
Old page:
Device-mapper is a new infrastructure in the Linux 2.6 kernel that provides
a generic way to create virtual layers of block devices that can do different
things on top of real block devices like striping, concatenation, mirroring,
snapshotting, etc... The device-mapper is used by the
LVM2 and
EVMS 2.x tools.
dm-crypt is such a device-mapper target that provides transparent encryption of
block devices using the new Linux 2.6 cryptoapi. The user can basically specify
one of the symmetric ciphers, a key (of any allowed size), an iv generation mode
and then the user can create a new block device in /dev. Writes to this device
will be encrypted and reads decrypted. You can mount your filesystem on it as usual.
But without the key you can't access your data.
It does basically the same as cryptoloop only that it's a much cleaner code and
better suits the need of a block device and has a more flexible configuration
interface. The on-disk format is also compatible. In the future you will be able
to specify other iv generation modes for enhanced security (you'll have to
reencrypt your filesystem though).
I've set up a Wiki.
There's a mailing list at .
If you want to subscribe, use the mailman
web interface or its
archive.
Gmane provides a NNTP interface and also a
web archive
for this mailing list.
There is support for dm-crypt in the latest official kernel
2.6.4
which you can find on kernel.org.
Please use the mirrors for downloads.
There is a HIGHMEM cryptoapi bug in kernels before 2.6.4-rc2, please
upgrade if you were using such a kernel.
The latest version of the native userspace setup tool is cryptsetup 0.1.
Clemens Fruhwirth is maintaining an
enhanced
version of cryptsetup with the LUKS extension that allows you to have an
on-disk block of metadata which is superior to the current mechanism and was
my long term plan anyway but I didn't find the time to implement that yet...
The MPL Indonesia (Mobile Legends Professional League) draws millions of concurrent viewers, rivaling traditional sports broadcasts in viewership.
The sinetron revival has been driven by several factors: stations diversifying genres (romance, religious content, popular adaptations), pairing senior actors with young stars, and making shows available on streaming platforms like Vidio for on-demand viewing. Crucially, clips shared on TikTok and Instagram have gone viral, creating new conversations among younger users. Traditional genres like romance dramas and football continue to dominate ratings.
Bands like Feast, Hindia, and Reality Club mix poetic Indonesian lyrics with indie rock, selling out stadiums across Southeast Asia. 3. Digital Literacy and the Content Creator Boom
Rina, meanwhile, worked at her mother's gado-gado stall, grinding peanuts for sauce while humming melodies no one ever asked to hear.
Artists like Rich Brian, NIKI, and Warren Hue have achieved international stardom, performing at major Western festivals like Coachella.
Indonesia is arguably the world capital of social media engagement. With a population that is incredibly young (median age ~30) and mobile-first, the line between "celebrity" and "influencer" has completely blurred.
While streaming numbers are massive, the average revenue per user (ARPU) remains lower than in East Asian or Western markets. The Verdict
In recent years, the horror genre has driven massive domestic box office growth while securing international distribution. Filmmaker Joko Anwar redefined modern Indonesian horror with Satan’s Slaves ( Pengabdi Setan , 2017) and its 2022 sequel, blending supernatural thrills with deep-seated cultural folklore and social commentary.
The turning point was . His films— Satan’s Slaves (Pengabdi Setan), Impetigore , and Satan’s Slaves 2: Communion —redefined the genre. Utilizing traditional folklore ( Nyi Roro Kidul , the Queen of the Southern Sea; Wewe Gombel , the ghost of a vengeful mother) rather than western zombies, Anwar crafts slow-burn, atmospheric dread that has earned comparisons to Jordan Peele and Ari Aster.
Heavily influenced by Japanese pop culture, Indonesia has embraced the virtual creator movement. Agencies like hololive Indonesia have birthed massive virtual superstars, blending anime aesthetics with local Indonesian slang, humor, and cultural references.
I can expand on specific areas of Indonesian culture if you would like to explore further. Let me know if you want to focus on: The and their filmographies
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
The on-disk layouts used by the current 2.6 cryptoloop are supported by dm-crypt.
Cryptoloop also uses cryptoapi so the name of the ciphers are the same. Cryptoloop also
supports ECB and CBC mode. Use <cipher>-ecb and
<cipher>-plain accordingly with dm-crypt. If you didn't
explicitly specify either -ecb or -cbc before you don't need it now, the default plain
IV generation will be used. There will be additional (incompatible, but more secure) possibilites
in the future because the unhashed sector number as IV is too predictible.
You'll need to figure out how your passphrase was turned into a key to use for losetup.
There are several patches floating around doing things differently. But usually cryptsetup
will provide a working solution to recreate the same key from your passphrase.
If you want to migrate from 2.4 cryptoloop please take a look at Clemens Fruhwirth's
Cryptoloop
Migration Guide. He describes the differences between 2.4 and 2.6 cryptoapi (or basically
the bugs in 2.4 cryptoapi...). If you need to cut the key size you can use the -s
option instead of playing with dd.
(BTW: Clemens has a i586 optimized version of the aes and serpent cipher on his page,
about twice as fast as the kernel implementation.)
Why dm-crypt?
Originally it started as a fun project because I wanted to play with the new Linux 2.6 internals.
I got a lot of great help from the device-mapper guys at Sistina (now Redhat). Thank you very
much!
It turned out that this implementation worked great and is very clean compared to the hacked
loop device. The device-mapper core provides much better facilities to stack block devices.
dm-crypt uses mempools to assure we never run into out-of-memory deadlocks when allocating
buffers.
Also the device-mapper configuration interface provides much more flexibility than the losetup
ioctl. And you can create as many devices as you want with any names you want and combine them
with other dm targets. Online device resizing is also possible, e.g. if you use dm-crypt on top
of a logical volume. There might perhaps even be LVM or EVMS support for device encryption
in the future.
The MPL Indonesia (Mobile Legends Professional League) draws millions of concurrent viewers, rivaling traditional sports broadcasts in viewership.
The sinetron revival has been driven by several factors: stations diversifying genres (romance, religious content, popular adaptations), pairing senior actors with young stars, and making shows available on streaming platforms like Vidio for on-demand viewing. Crucially, clips shared on TikTok and Instagram have gone viral, creating new conversations among younger users. Traditional genres like romance dramas and football continue to dominate ratings.
Bands like Feast, Hindia, and Reality Club mix poetic Indonesian lyrics with indie rock, selling out stadiums across Southeast Asia. 3. Digital Literacy and the Content Creator Boom
Rina, meanwhile, worked at her mother's gado-gado stall, grinding peanuts for sauce while humming melodies no one ever asked to hear. bokep indo alfi toket bulat ngewe 1 jam 0 m01 new
Artists like Rich Brian, NIKI, and Warren Hue have achieved international stardom, performing at major Western festivals like Coachella.
Indonesia is arguably the world capital of social media engagement. With a population that is incredibly young (median age ~30) and mobile-first, the line between "celebrity" and "influencer" has completely blurred.
While streaming numbers are massive, the average revenue per user (ARPU) remains lower than in East Asian or Western markets. The Verdict The MPL Indonesia (Mobile Legends Professional League) draws
In recent years, the horror genre has driven massive domestic box office growth while securing international distribution. Filmmaker Joko Anwar redefined modern Indonesian horror with Satan’s Slaves ( Pengabdi Setan , 2017) and its 2022 sequel, blending supernatural thrills with deep-seated cultural folklore and social commentary.
The turning point was . His films— Satan’s Slaves (Pengabdi Setan), Impetigore , and Satan’s Slaves 2: Communion —redefined the genre. Utilizing traditional folklore ( Nyi Roro Kidul , the Queen of the Southern Sea; Wewe Gombel , the ghost of a vengeful mother) rather than western zombies, Anwar crafts slow-burn, atmospheric dread that has earned comparisons to Jordan Peele and Ari Aster.
Heavily influenced by Japanese pop culture, Indonesia has embraced the virtual creator movement. Agencies like hololive Indonesia have birthed massive virtual superstars, blending anime aesthetics with local Indonesian slang, humor, and cultural references. Traditional genres like romance dramas and football continue
I can expand on specific areas of Indonesian culture if you would like to explore further. Let me know if you want to focus on: The and their filmographies
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Please contact the mailing list: dm-crypt@saout.de. Or in case there is a problem with the mailing list, me: .