Taboo Vii- The Wild And The Innocent -1989- Ful...

: Portrays Ben; he notably performs a musical song in a bookshop during the opening sequence. Lysa Thatcher : Plays the lead role of Emily. Jamie Gillis

At Whitestone, Brookfield serves as the poet-in-residence, invited to balance the vulgar influence of a rival beat poet (played by Herschel Savage). The film follows his romantic and sexual entanglements with several artists at the retreat, including the shy and unattainable Saundra Jo and the uninhibited body-painter Suzannah French, before culminating in a reunion with his original love, Lisa Thatcher.

The film is often cited in discussions regarding the history of the adult video industry due to its association with a franchise that spanned several decades. The series is noted for its focus on storytelling and its role in defining the "taboo" subgenre of adult entertainment, which explored narratives that challenged contemporary social norms. Title: Taboo VII: The Wild and the Innocent Release Year: 1989 Director: Helene Terrie

One reviewer from the Blu-ray Forum, exploring the entire series, called it "the weakest one out of the seven," criticizing the confusing flashback-laden story and the lack of taboo content. Another review called it "so bizarre and unsexy," noting the bizarre and "unsexy" nature of the film, while a separate user on Letterboxd gave it four stars, describing it as "sensual. Romantic. Messy. Focus on human nature. Beauty in the act". Taboo VII- The Wild and the Innocent -1989- Ful...

Today, Taboo VII: The Wild and the Innocent is viewed by film historians and cult cinema enthusiasts as an artifact of a bygone era. It represents the exact moment before the adult industry completely decentralized in the 1990s.

For those intrigued by Taboo VII: The Wild and the Innocent, exploring other films within the Taboo series may provide additional context and insight into the themes and styles presented. Furthermore, examining other adult films from the late 1980s can offer a broader understanding of the era's approach to sexuality and relationships on screen.

Artistic freedom, bohemian romance, and creative expression. Dominated by stark domestic settings. Stylized cinematography with backlit natural sunlight. Tone Melodramatic and heavy. : Portrays Ben; he notably performs a musical

The plot of Taboo VII: The Wild and the Innocent revolves around themes of love, lust, and the exploration of sexual identities. The film introduces viewers to Jamie, a young and naive woman who finds herself drawn into a world of sexual exploration. As Jamie navigates her desires, she encounters various characters, each with their own stories and motivations. Through its narrative, the film aims to depict a realistic portrayal of adult relationships, albeit through a stylized lens.

The film balances bizarre comedic elements—such as a running gag involving Jamie Gillis and Mai Lin, alongside an intimate sequence scored dynamically to Richard Wagner's "Ride of the Valkyries"—with genuine attempts at romantic filmmaking. Reviewers frequently highlight a beautifully lit encounter between West and Kitty Shayne as a technical high point for adult film cinematography of the era. Technical Legacy

Taboo VII perfectly encapsulates the visual style of late-1980s erotica. The film features the bright, high-contrast lighting typical of videotape productions of the era, moving away from the moody, shadowed film grain of 1970s cinema. The wardrobe, music, and dialogue are deeply reflective of the time, capturing a specific cultural moment right before the industry transitioned into the gritty, gonzo-dominated style of the 1990s. The film follows his romantic and sexual entanglements

The most memorable scene in Taboo VII is the film's bizarre musical opening. Immediately after a promotional voiceover promising a trip to Whitestone, the film cuts to Randy West at his book signing. Surrounded by adoring female fans, West spontaneously bursts into a low-budget production number titled singing the song in homage to his best-selling novel. In a later scene, West also plays guitar and performs a folk ballad. The unexpected musical sequences are often described by fans as "bizarre and unsexy," yet they have become a hallmark of the film's cult status.

Taboo VII: The Wild and the Innocent is a 1989 adult feature film, running approximately 90 minutes. It is the seventh installment in the Taboo franchise, which began in 1980 with the iconic mother-son incest drama starring Kay Parker. By the seventh entry, the series had largely abandoned the taboo-breaking dramatic weight of the original in favor of a more conventional “rural vs. urban” or “innocent vs. experienced” narrative framework. This film blends soft-core plotting with hard-core sequences, aiming to capitalize on the late-1980s VHS rental market’s appetite for narrative-driven adult content.

The film features an ensemble cast of prominent Golden Age adult cinema veterans:

Taboo VII: The Wild and the Innocent (Video 1989) 6.1 | Adult